Upcoming March Performance

15th March 2016 at Cafe Central ( Bruxelles )

Focus on “SYRPHE”

KIRDEC // AXIOME

Les Anges Noirs De l’Utopie are happy to announce this tuesday night focused on Syrphe label.

_ Kirdec aka C-drík
born in Zaire (now Congo, DR), he grew up in Belgium and based in Germany, were he runs Syrphe a label and platform partly dedicated to alternative electronic and experimental music from Africa and Asia.
C-dríks music varies from harsh noise to electronica and electroacoustic music.

https://syrphe.bandcamp.com/album/daniova-mama-oci-rne-lune

_ Axiome
is a Belgian duo formed around 1991 by Olivier Moreau (Imminent, Ambre, Tricot Trio, Urawa, etc.) and C-drík (Crno klank, Ambre, Moonsanto, Tasjiil Moujahed, Tetra Plok, etc.).
For a few years they play some sort of acid music with non conventionalrhythms.

https://youtu.be/BbZ_-vkk7kE

For more about Syrphe Label :
http://syrphe.com/

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Upcoming March Performance

5th March 2016 at “Hottat”, Maison du Bonheur

Collectif Mental & Les Anges noirs de l’utopie Proudly Present:

VIRTUAL_FOREST (new ‘Above The Tree’ solo project – italy)

VIRTUAL FOREST is the mystic variation of Above the Tree, Marco Bernacchia’s solo project whose releases have been put out by labels as Brigadisco, Bloody Sound Fucktory & Locomotiv Records.
The path here is characterized by the procedure of the American Indians to devote their own lives to a new state of conscience, a vision often achieved through starvation and sleep deprivation which culminates in one trance state where real and unreal melt and define a symbolic message.
VIRTUAL FOREST is Above the Tree’s nom de guerre that holds the symbolic representations collected through the sound, the establishing dream of his research.

https://yerevantapes.bandcamp.com/album/virtual-forest-unconscious-cognition-is-the-processing-of-perception

MATTHIEU C VERGEZ (Bruxelles)

La musique de Matthieu C.Vergez oscille délicatement entre poésie, noise et expérimentale.

A l’aide d’une guitare électrique, de scies circulaires ou de feedback, il fabrique un assemblage de scènes, de sons sobres, rémanents. Le texte inclusif, intimiste , est comme un lien sensible. Une suspension ou un ensemble de mouvements tranchés au caractère récitatif et ce fil ténu, presque indicible ; douce violence.

« (…) on habite que le lieu que l’on quitte, on ne crée que l’œuvre dont on se détache, on obtient la durée qu’en détruisant le temps.

Le devoir (…) est, durant la trêve des saisons et la sieste des heureux, de produire un Art à l’aide des nuages, un Art qui soit issu de la douleur et conduise à la douleur »

René Char -En trente-trois morceaux-

https://matthieucvergez.bandcamp.com/
https://soundcloud.com/matthieucvergez

GUILLAUME LE BOISSELIER

Guillaume Le Boisselier is a self-taught improviser and composer.

His music ranges from tense, intimate soundscapes to harsh noise experiments. His work could be qualified as some kind of primitive and instinctive musique concrète, or as experimental electronic music. He’s looking for concision rather than for extended durations, and has a taste for contrasts, from light to wall shaking sounds.

He uses contact mics and objects, as well as tonal instruments such as iranian Santur, Theremin or some asian percussions, but also some electronic DIY devices and effects.

He works mainly with contemporary dancers and theatre but can also be found under several names / collaborations such as BLASTèME!, Hippy Death Suite, The Flowers of The Five Wounds or La Tierce. He lives in Bruxelles.

https://soundcloud.com/guillaumeleboisselier

Come early, limited capacity