5th March 2016 at “Hottat”, Maison du Bonheur

Collectif Mental & Les Anges noirs de l’utopie Proudly Present:

VIRTUAL_FOREST (new ‘Above The Tree’ solo project – italy)

VIRTUAL FOREST is the mystic variation of Above the Tree, Marco Bernacchia’s solo project whose releases have been put out by labels as Brigadisco, Bloody Sound Fucktory & Locomotiv Records.
The path here is characterized by the procedure of the American Indians to devote their own lives to a new state of conscience, a vision often achieved through starvation and sleep deprivation which culminates in one trance state where real and unreal melt and define a symbolic message.
VIRTUAL FOREST is Above the Tree’s nom de guerre that holds the symbolic representations collected through the sound, the establishing dream of his research.

https://yerevantapes.bandcamp.com/album/virtual-forest-unconscious-cognition-is-the-processing-of-perception

MATTHIEU C VERGEZ (Bruxelles)

La musique de Matthieu C.Vergez oscille délicatement entre poésie, noise et expérimentale.

A l’aide d’une guitare électrique, de scies circulaires ou de feedback, il fabrique un assemblage de scènes, de sons sobres, rémanents. Le texte inclusif, intimiste , est comme un lien sensible. Une suspension ou un ensemble de mouvements tranchés au caractère récitatif et ce fil ténu, presque indicible ; douce violence.

« (…) on habite que le lieu que l’on quitte, on ne crée que l’œuvre dont on se détache, on obtient la durée qu’en détruisant le temps.

Le devoir (…) est, durant la trêve des saisons et la sieste des heureux, de produire un Art à l’aide des nuages, un Art qui soit issu de la douleur et conduise à la douleur »

René Char -En trente-trois morceaux-

https://matthieucvergez.bandcamp.com/
https://soundcloud.com/matthieucvergez

GUILLAUME LE BOISSELIER

Guillaume Le Boisselier is a self-taught improviser and composer.

His music ranges from tense, intimate soundscapes to harsh noise experiments. His work could be qualified as some kind of primitive and instinctive musique concrète, or as experimental electronic music. He’s looking for concision rather than for extended durations, and has a taste for contrasts, from light to wall shaking sounds.

He uses contact mics and objects, as well as tonal instruments such as iranian Santur, Theremin or some asian percussions, but also some electronic DIY devices and effects.

He works mainly with contemporary dancers and theatre but can also be found under several names / collaborations such as BLASTèME!, Hippy Death Suite, The Flowers of The Five Wounds or La Tierce. He lives in Bruxelles.

https://soundcloud.com/guillaumeleboisselier

Come early, limited capacity